Affinity dam

11.12.2020 By Tulmaran

We work in web, CGI and app development - most often a combination of all three. Web development is a broad term for the work involved in developing a web site for internet or intranet.

With ever-increasing online activity moving from laptops to mobile devices, many of our clients need to decide the best way to communicate with their customers. Customer relationship management CRM is a term that refers to practices, strategies and technologies that companies use to manage and analyze customer interactions.

Screens are of infinite variety and will continue to proliferate. We offer a range of website and software development and consultancy services across a broad spectrum of technologies including proprietary and open-source solutions.

We work mostly using open-source CMS and other systems but are no stranger to bespoke and customised ones. Please pass on my thanks to all of the team there. You can genuinely all be VERY proud of what you have achieved for us. So, thank you. Affinity was proud to be informed that it ranked first in a Government's Drupal Contract tender evaluation and that it was therefore awarded a high profile and nationally significant contract.

The team worked really hard to win this bid and are still working with GDS further cementing our relationship with the client-side teams. From initial concept discussions, through to the creation of a brief and timescales to in-depth design and realisation, the brochure team have liaised with us closely to ensure we understood processes, ideas and costings throughout the project.

The web team offered a creative and professional service and throughout the process the team at Affinity have been very helpful in their support and in sharing their knowledge. We would recommend Affinity to provide a complete and professional package for creative, visual and online requirements. Skip to main content. Showcase Works. Phased, Parallel Running or Big Bang. Building trust transparency and remedy into everything we do.

What We Do We offer a range of website and software development and consultancy services across a broad spectrum of technologies including proprietary and open-source solutions. Read More. Why Open Source? Client: South Somerset District Council.

affinity dam

Client: Timpson Group for Tesco. Applications: E-commerce. Client: Lotus. Client: Briggs and Forrester.We started out in developing creative software for Windows and built up a decent suite of apps over a year period. But there were problems. Apart from these legacy apps being locked into Windows, they were becoming bloated, hard to maintain and the core foundation of them was not built with consideration of the latest developments in hardware. So, we decided to start again.

We threw all that old code away and began development of the Affinity range from scratch. It was a big gamble and turned into a massive project - it took the best part of 5 years from writing the first line of code to releasing Affinity Designer, our first Affinity app, in October This success has been great, but our main focus remains on pushing the boundaries of what is possible with creative apps.

We love doing what we do, and we are just getting started. Our Story We started out in developing creative software for Windows and built up a decent suite of apps over a year period. The Affinity Suite. Launched October Launched July Launched June Award-winning creative graphics software. We no longer support Internet Explorer.

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Find out more.If you could create your own photo editing software, it would work like this. Affinity Photo has become the first choice for photography and creative professionals around the world, who love its speed, power and precision. The raw power under the hood of Affinity Photo will leave you amazed at how quickly you can work. Watch your edits render in real time and dive into the huge toolset, tailored to the demands of a professional workflow. Support for one of the most powerful photo editing plug-ins.

Whether you want to make quick corrections, or spend time on a detailed retouch, Affinity Photo has a complete set of retouching tools and dedicated features to help. Effects like blurs, lighting, distortions and perspective corrections can all be applied as non-destructive live filter layers. This means you can erase away from them, mask them, reorder them and adjust parameters at any time. Bring out all the details, and control those finer corrections to take that perfect shot to another level.

With support for limitless layers, Affinity Photo provides a full library of adjustments, effects and live filters, all of which can be grouped, clipped, masked or blended together to create incredibly complex image compositions.

Whether cutting out objects, creating masks or selectively applying adjustments, you can make extremely precise selections — even down to individual strands of hair — with ease. You can work natively with the full bit image, or use extensive tone mapping facilities for beautiful results. Expertly merge multiple images taken at different focal distances for detailed macro photography results.

affinity dam

Affinity Photo takes care of the alignment and completes a deep analysis to determine the best areas of each image to use. The only photo editing tool to offer full end-to-end bit workflow for working on HDR images, renders, textures or exports from 3D software.

Picture the future. Trusted by professionals Affinity Photo has become the first choice for photography and creative professionals around the world, who love its speed, power and precision.

Thoughts on Affinity photo?

Performance and power The raw power under the hood of Affinity Photo will leave you amazed at how quickly you can work.

Support for Nik Collection 2.

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Flawless retouching Whether you want to make quick corrections, or spend time on a detailed retouch, Affinity Photo has a complete set of retouching tools and dedicated features to help.

Incredible live filter layers Effects like blurs, lighting, distortions and perspective corrections can all be applied as non-destructive live filter layers. Breathtaking compositions With support for limitless layers, Affinity Photo provides a full library of adjustments, effects and live filters, all of which can be grouped, clipped, masked or blended together to create incredibly complex image compositions.Version 1.

For most well-lit imagery shot at lower ISO values, the quality of the RAW development was more than sufficient—where it fell apart, however, was with more esoteric imagery like astrophotography and long exposure photography. Up until version 1. You generally want to avoid movement with the stars, hence the relatively short exposure time, which could be anywhere from 5 to 20 seconds.

affinity dam

This means you typically have to raise the ISO to aroundor even 12, depending on the lighting conditions—even then, you will likely be increasing the exposure during editing, which will further reveal the noise in the image.

Good demosaicing and noise reduction is paramount for this type of imagery. With the release of 1. As an initial result, the differences are perhaps quite subtle. The bottom image 1. The noise profile actually appears slightly sharper, but this is a welcome change—another complaint regarding 1.

After noise reduction in 1. Look closely at the noise profile of the top image 1. This is far less pronounced in the bottom image 1.

Bear in mind these are the initial results when you first open a RAW file: by default, some colour noise reduction is applied, but luminance noise reduction is not. So far, this has highlighted the improved demosaicing and colour noise reduction. This is clearly a vast improvement for 1. Notice that even the dimmer stars have been retained, meaning you can apply aggressive noise reduction without destroying finer detail. Overall, then, 1.

Supporting the creative community

However, these improvements will also benefit photographers who shoot other types of images: the improved demosaicing will result in smoother, more pleasing rendering for portraiture and landscape imagery, for example, whilst the noise reduction is great for low light and long exposure imagery.

Another less obvious improvement is the addition of hot pixel removal, also known as hot pixel remapping. Hot pixels can occur in any type of photography, but are most prevalent with long exposure and high ISO imagery.

affinity dam

Depending on how badly your camera is affected by hot pixels, it can be a time-consuming and frustrating experience to remove them manually during editing. To further compound the issue, hot pixels are usually just individual pixels dotted around the image.The major function missing is most editors is digital asset management.

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Lightroom is the one exception and therefore it is the most valuable photo editor because it catalogs and manages your photos. Until then, its just another photo editor. Lightroom is not a photo editor but a RAW developer. It's editing tools are not up to what Photoshop offers. Affinity Photo is both a RAW developer and photo editor. I'm sorry to disagree with you. I only use PS6 standalone when I have to, because it is too complex for the average task unless you want to spend a lot of effort in Layers.

I used Aperture until Apple abandoned it. My interest in Affinity photo is as a replacement for Photoshop and LR because I don't want Adobe's subscription crap and they are making updates difficult for those of us without cc subscriptions.

But it all depends on how you handle your Dam when it materializes. It needs to at least allow for a folder naming convention like this:. LR and Photo are different apps aimed at different uses and are not completely comparable. As MEB as pointed out Photo is more akin to a PS workflow which focuses more on complex image editing, pixel manipulation and layer structures.

Capture One after Aperture, or wait for Affinity DAM, or....?

We do have plans to develop a separate DAM application in the future whcih may be more what you are looking for, but we are focused on getting the core trio of apps developed first before we start adding new apps to the line up. Serif Europe Ltd - Check the latest news at www. I'm not able to give any definitive timeline as they are details I am not privy to.

Personally I would not expect to see it inbut that does not mean things might not change.

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I have used Aperture since its introduction and have tried Lr 3 times, most recently this last couple of months. So I'm hobbling along with a Mac on an old OS until something better comes along. I was hoping this new alternative would be Affinity DAM this yearbut it would seem this is not going to happen.

Windows appears to have stolen its wind!! BUT watch out Affinity, because you're massive current success has come thanks to a total dedication to a single platform and a unique opportunity.

Diluting your efforts is a dangerous game. Us old timers used to use the word all the time. You can't 'composite' with Lr or C1 or Aperture. Hi Team Affinity, first of all, congrats on the massive effort with the applications that you guys created!

The community is forever indebted. I personally wouldn't want a DAM that's unnecessarily bloated in features. An Affinity DAM can wait, in my opinion, because fine-tuning the first three core apps would mean a robust foundation which everyone can be proud of.

Speaking of foundation, Team Affinity, could you come up with a superior perspective tool for Designer, much like Epic Games' Carapace?Of course for the most part photographers that use Adobe CC Photography will not use AP anyway as Photoshop is included with the subscription the only way to combat that was to have a companion DAM That question has a more general set of requirements and received no answers. To budnip answers of the form "This is impossible" here's how it could be implemented:.

For each master image generate a unique ID based on the content of the file. This ID is written to a set of fields in meta data that most editors will leave at least one intact. If the master is unwritable, it's written to a sidecar file. When a file is edited, a file system watcher notes that the file was opened. The file goes onto the 'watch' list. When a file is closed, this is also noted. If there has been a new file created it is checked for metadata. If the new file's metadata has a match for an existing file, then existing file metadata is used to repopulate missing data in the file.

Photoshop is notorious for not respecting all metadata. Hey guys, I was just wondering. All these have one thing in common: they are Cataloguing tools.

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What if please bear with me for a minute hereAffinity has something more Like Bridge in Mind? Yes, I just wrote the sinful name that should not be mentioned, but The main thing with Bridge is that it's NOT a cataloguing tool.

Let's call it a glorified Finder or Windows Explorer the file manager, not the deceased browser. It allows you to browse your files and has some fancy features and labelling options on top. For a photographer handling hundreds of thousands of photos, it's pretty much an abomination and it makes very little sense.

However, for a publishing studio who needs to manages projects assets and collaborate with many team members on a same project, it makes a lot more sense. For example, you are working on an InDesign file or a website and have tons of linked images — Usually, you're no longer dealing with RAW images at that stage, but you may still need multiple versions of the same subject, or need to rate and tag photos that may or not make the publication.

You also need something that will preview all graphic files and give you info about images metadata at a glance, etc. What you need is to be able to browse your project as it evolves in collaboration.

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A catalogue system like LR or AP just does do the job here. Not even a bit. If I look at it objectively, the current road map for Affinity consists of three pieces of software: Photo, Designer, and Publisher. As a whole, this much closer to a publishing suite than a Photography suite. In that light, something similar to Bridge would make more sense. Let say through two different personas, for example. Something you could do with Aperture, BTW. No, you could not, but nearly. That was the way some photobook printer software also worked.

And using less than HQ previews would eventually lead to poor looking photobooks.

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It has become very quiet around Affinity. They gave up their formerly promised DAM and focus on publisher - I guess, it's also a problem of manpower.I didn't explain very well - I wasn't looking for a tool to work with Lightroom. My thought was to handle the DAM side with one tool not Lightroom and the editing with another also not Lightroombut one that works in a similar way to the edit module in Lightroom.

I think a lot of people would like a solution like that. A decade ago, there was almost a solution for you. A browser, not a DAM, I know like Photomechanic could then browse a folder of or images and you'd see the edited rendering of the image. What was nice was that there were. This allows C1P users to share image files and all the C1P edits easily. Conceivably, the future Affinity DAM used with Affinity Photo would get you where you want to be but with large files potentially again, that is really determined a lot by the use of pixel layers in your edit workflow.

Of course, Photomechanic has said they'll release a "Catalog" for 5 years now and I'm not sure it will ever happen. Hopefully someone else could chime in on other possible solutions. I use CaptureOne Pro for both catalog and Editing and am pretty happy except for the sluggishness of the catalog when it gets large for me, on my current older hardware, that's at about 50k images.

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